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Articles | November 2012

Some interesting articles and reviews from the past two months.

Afghan policemen patrol during an operation near the border with Pakistan ©
Goran Tomasevic/Reuters

Observer: : The Month in Photography | The Observer New Review’s monthly guide to the 20 best photographic exhibitions and books

Sara Hussein: Tweeting from the front line (AFP blog)

Freelance photographer Phil Moore has been filing great work for AFP from Kivu region in Democratic Republic of Congo (I’ll share links to some of the work later this week)… Was fascinating to read about his experiences working in DRC on the AFP’s Correspondent blog…

Photo © Phil Moore / AFP

Phil Moore: ‘I love you very much, that is why we are here’ | Phil Moore on working in DRC

Robert King on working in Syria…

Photo © Robert King

Vice: The Man Who Was There | Robert King has been covering the FSA so long they named him ‘Haji Memphis’

Why we need war correspondents.

Terry Anderson:  Running Toward Danger | ‘Why the world still needs war correspondents.’

New York Times: Using War as Cover to Target Journalists

WaPo and NYT public editors on ‘controversial’ Gaza photos…

Washington Post: Photo of dead baby in Gaza holds part of the ‘truth’

New York Times: Photo Caption Should Have Been Better. But ‘Orwellian’? No. | NYT’s Public Editor defends Tyler Hicks’s Gaza photo caption.

Not your average war correspondent… crazy story…

Sunil Patel: I Went to Syria to Learn How to Be a Journalist…And Failed Miserably At It While Almost Dying A Bunch of Times (Vice)

“Attack—Eastern Front WWII,” 1941, © Dimitri Baltermants, Russian, born Poland, 1912-1990.

PDN: War Correspondence | ‘This month the Museum of Fine Arts, Houston (MFAH) will open an exhibition that promises to change the way photographs of war are seen, understood and written about.’

FT: War and Peace 

Lightbox: War/Photography by Geoff Dyer

Lightbox: This Means War: A Look at Conflict Photography

Telegraph: The unique advantage of female war reporters in Muslim countries

Wired: HBO’s Witness Goes Inside the Pulse-Pounding World of Conflict Photographers 

Fast Company: HBO’s “Witness” Looks At The World’s Deadliest Places Through The Lens of Photojournalists

Photo © Sara Terry

Lens blog: Coming to Terms With the Legacy of War | The Aftermath Project, Putting Together Its Fifth Book

Wired: War Reporters Train in the Bronx, Complete With Blood, Smoke and Gunfire

Cover photo © Ben Lowy

Forbes: Why Time Magazine Used Instagram To Cover Hurricane Sandy

Kenneth Jarecke: Instagram, the Devil, and You (photographer’s blog)

Kenneth Jarecke: Great Job, You’re Fired (photographer’s blog)

Fast Company: An Intimate Portrait Of Innovation, Risk, And Failure Through Hipstamatic’s Lens

Jon Levy: Foto8 is Leaving Home

Five interesting articles from Guardian’s 80 page supplement ‘Photography Masterclass’ from a week or so ago…

Photo © Antonio Olmos

Antonio Olmos: Street Photography (Guardian) ‘Trust your instincts, be brave and alert to every possibility and wear sensible shoes – all that pavement pounding will pay off eventually …’

Martin Argles: Photojournalism (Guardian) Even as technology advances, the role of the photojournalist will remain the same: to expand our awareness of the world

Suki Dhanda: Portrait photography (Guardian) |A powerful portrait must connect the viewer to the subject. Beyond technique and timing, observation and empathy are vita

Eamonn McCabe: Landscape photography  (Guardian)| Good landscape photography does not require epic surroundings – beauty can be found on your doorstep if your eyes are open to it

Guardian: Photography: an ever-evolving art form | Our photography critic examines the changing landscape of a thriving medium

Petapixel: Photojournalists Reflect on Documenting Obama’s Reelection Campaign

Wired: Photographs Are No Longer Things, They’re Experiences

Business Insider: Photographers Will Soon Be The Most Valuable People In The News Room

Lens blog: An Inside View on Documentary Stories

David Campbell: Thinking Images v.25: The politics of the individual against the white backdrop (David Campbell’s blog)

Guardian: Magnum Revolution – review | ‘Magnum photographers provide a compelling visual record of violent uprising from Budapest 1956 to the Arab spring’

Evening Standard: Seduced by Art: Photography Past and Present 

Guardian: Photography: is it art? | | ‘From the earliest days of photography, practitioners took their inspiration from paintings. But as a new exhibition at London’s National Gallery shows, the link went both ways’

Guardian: Light from the Middle East offers a true reflection of a complex region | ‘A new exhibition at London’s V&A offers insights from within cultures that are more often photographed and reported from the outside’

Harlem, New York, 1947 © Henri Cartier-Bresson

Guardian: Henri Cartier-Bresson: who can beat the master of monochrome? | ‘An exciting new London exhibition pits Henri Cartier-Bresson, famous for eschewing colour in his photography, against some of the best colour photographers of our time’

ABC News: AP Photographer Walt Zeboski Dies at Age 83

Petapixel: Canadian Photogs Now Officially Own the Copyright to All of Their Photos

Guardian: Enrique Metinides: photographing the dead for Mexico’s ‘bloody news’

PDN: Photographers on Their Favorite Image from Robert Frank’s The Americans

Lightbox: The Americans List: A Salute to Robert Frank

PDN: 8 Dos and Don’ts for Crowd-Funding Campaigns

PDN: How to Survive and Conquer Portfolio Reviews

MediaStorm Field Guide

ADWeek: Time Moves to Responsive Design

BJP: Kodak releases iPhone app for professional film photographers

BJP: Inaugural Photoreporter festival finances photographers

Forbes: Do Not Trust This Joel Sternfeld Photograph

Photo Brigade: Holiday Photo Gift Guide 2012

Visual Culture Blog: London Photography Map

Guardian: The best photography websites, publications and galleries

Lens blog: An Outsider’s Life in Pictures and Boxes | The Still Unfolding Legend Vivian Maier

© Doug Ricard

Lightbox: Street View and Beyond: Google’s Influence on Photography

Lightbox: From Photography to Film: Stanley Kubrick Enters the Ring

Lightbox: The Bechers on Display at Paris Photo

LA Observed: LA Times wins $266,000 from photographer David Strick

Telegraph:  Portraits of a woman | ‘What makes a portrait of a woman unforgettable? We asked eight leading female photographers to identify their favourite.’

BBC: Photographer Dody Weston Thompson dies aged 89

Art Daily: Phillips de Pury & Company announces highlights from its London November Photographs Auction

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Written by Mikko Takkunen

November 27, 2012 at 3:10 pm

Posted in Articles

Articles | October 2012

We haven’t had an Articles post on the site for a long time, so some of the links are as old as from the past summer, but hopefully still relevant to those who haven’t yet read them… This first one’s recent though…interesting article in this week’s Newsweek by Sarah A. Topol on young rookie freelance journalists working in war zones….The main photo seen on the spread below is by Ben Lowy by the way (who is seen with Nicole Tung in the photo on the right), although he obviously isn’t one of the people discussed in the article…

Sarah A. Topol: Rookie Freelancers Risking Their Lives To Cover The Arab Spring (Newsweek)

Somewhat related perhaps… Action packed trailer to 4 part HBO documentary series on conflict photographers: Witness. Surprisingly, I could find very little info on the series online… It doesn’t even appear to have a website… I recognised three photographers in the trailer… Michael Christopher Brown, Eros Hoagland, and Veronique de Viguerie…There are four episodes though:  Libya, South Sudan, Juarez, and Rio… so perhaps there’s a fourth photographer featured, but I don’t know..

Witness : HBO documentary series on conflict photographers (YouTube)

New York Times correspondent Simon Romero on Tomas Munita in Lens blog…

Photo © Tomas Munita

Simon Romero: Losing Fear and Learning to See : on Tomas Munita (NYT Lens)

Magnum Photos CEO on the agency’s new strategy.

Magnum Photos’ new focus: online, online and online (BJP) ‘Magnum Photos’ activities used to be divided into two categories – new work and licensing – respectively dubbed M1 and M2. Now the agency’s CEO, Giorgio Psacharopulo, is pushing Magnum’s online activities as part of a new strategy.’

Photography writer Mary Panzer on the contemporary role of professional photojournalists using Magnum Photos as an example.

Mary Panzer: Magnum Irrelevant? (WSJ) ‘What does photojournalism mean now when everybody with a cellphone can upload pictures for the world to see, or when surveillance cameras provide the most reliable way to document a crime?’

Photo © William Klein

The month in photography (Observer) ‘The Observer New Review’s monthly guide to the 20 best photographic exhibitions and books, featuring Lise Sarfati, William Klein, Luc Delahaye and Lucas Foglia.’

Looking at the Land From the Comfort of Home (Lightbox)

Photo © Michael Nichols

Anatomy of an iPad App: A Photo Archive That’s Also an App (PDN) National Geographic photographer Michael Nichols launched an iPad app of his work that can be downloaded for $3.99.

6Mois: Biannual French magazine offers different approach to photography (BJP)

Hipstamatic angst, Instagram anxiety: time to move the conversation forward (David Campbell blog)

Laurence Butet-Roch: Facebook, Twitter, Instagram: How photographers can benefit from social networks (BJP)

Introducing the six masters and 12 participants of the 2012 Joop Swart Masterclass (World Press Photo)

Couple of new photo blogs from the Middle East…

Photo blog by The National (Abu Dhabi)

Panorama by Egypt Independent newspaper

Al-Akhbar photo blog by Al-Akhbar newspaper in Lebanon

What sounds like an amazing exhibition on war photography coming up at the Museum of Fine Arts in Houston…

Photo © Todd Heisler

Total War: A New Look at Conflict Photography (New Yorker) ‘In November, the Museum of Fine Arts, Houston, will unveil an exhibition on war photography unprecedented in scale and ambition. The origins of “War/Photography: Images of Armed Conflict and Its Aftermath” can be traced back to the museum’s acquisition—ten years ago—of the first known print of Joe Rosenthal’s famous photograph of the raising of the American flag at Iwo Jima.’

Amazing five-volume Gordon Parks collection from Steidl… which I’m sure I can’t afford… I’ve been a big Gordon Parks fan ever since I read his autobiography.

Photo © Gordon Parks

Five-Volume Collection of Gordon Parks’s Work by Steidl (NYT Lens)

James Estrin: In an Age of Likes, Commonplace Images Prevail (NYT Lens)

Are Photography Contests Worthwhile or Worthless? (PhotoShelter)

Photo © Maciej Dakowicz

Sean O’Hagan: Cardiff After Dark by Maciej Dakowicz (Guardian) ‘The Polish-born photographer’s epic study of Cardiff nightlife is a hymn to camaraderie and pleasure-seeking’

Reviewed: The Latin American Photobook (BJP)

Behind the Cover: Bill Clinton Photographed by Mark Seliger (Lightbox)

Dan Winters in a Thousand Words: An Ode to a Friend by Nick Offerman (Lightbox)

Photo © Robert Flora/Corbis

Malcolm X as Visual Strategist (NYT Lens)

Peter Dench: In Conversation With Homer Sykes (Photographer’s blog)

The New Economics of Photojournalism: Online Photography Workshops (BJP)

Colvin’s last passport was issued on December 20, 2005, four years after she lost her left eye to shrapnel in Sri Lanka. Here Colvin wears her signature eye patch.

The Passport to Prove It: A Stamped History of Marie Colvin’s Career (Vanity Fair) ‘Through the blurred ink of immigration stamps and festooned Middle Eastern visas, Marie Colvin’s passport reads like an illustrated time line for her coverage of Mahmoud Ahmadinejad’s election, the rise of the Taliban, the Arab Spring, Muammar Qaddafi’s capture and death, and the conflict in Syria. After becoming a foreign-affairs correspondent for London’s Sunday Times in 1985, Colvin entered nearly every war zone on the planet right up to her death, in Homs, Syria, in February.’

Charlize Theron in talks to play war reporter Marie Colvin (Guardian) ‘Oscar-winning actor has signed on as co-producer for biopic of late Sunday Times war correspondent’

Photo © Henri Cartier-Bresson

Martine Franck obituary (Guardian) Martine Franck Legacy (Lightbox)  Martine Franck, Documentary Photographer, Dies at 74 (NYT)

Dan White ~ 1965-2012 (Panos)

Photographer holds festival of hope amid Aleppo fighting (CNN)

Swedes Schibbye and Persson ‘pardoned’ by Ethiopia (BBC)

Girl from Sebastião Salgado photograph found (DVA Foto)

Two-year probation for Shepard Fairey in image infringement case (BJP)

Kodak to sell off film division (BJP)

MediaStorm Spring 2013 Internship (MediaStorm)

The Guardian relaunches its Eyewitness photography app (BJP)

Carlyle Group to Buy Getty Images for $3.3 Billion (NYT)

Bad news for Reuters (The Independent)

Hollywood celebs and their Leicas…

Leica Cameras, Favored by Celebrities (NYT)

Who Can Improve on Nature? Magazine Editors and Photographers on Retouching Photos (NYT)

Hot off the press: The newsprint as a medium for photographers (BJP)

I AM The Boss, 1982 correspondence between Annie Leibovitz and Rolling Stone co-founder Jann Wenner (Letters of Note)

The most-viewed photo of all time?

Photo © Charles O’Rear

Is This the Most-Viewed Photo of All Time? (Mashable)

7 Lighting Tips for Shooting Video with Digital SLRs (PDN)

Advertising Standards Authority bans two Channel 4 ‘gypsy’ ads (BJP) ‘The ASA has banned two Channel 4 ads used to promote its hit show, My Big Fat Gypsy Wedding. BJP speaks to the author of the photographs featured in the ads’

Greg Funnell: Assignment: A look at the thought process behind a shoot (Photographer’s blog)

Dos and Don’ts: Writing a Photographer Bio (PetaPixel)

To finish off… 52 Worst Photoshop Mistakes In Magazines

Written by Mikko Takkunen

October 9, 2012 at 5:15 pm

Articles | Sunday 17 June 2012

Let’s start with the unexpected news coming from Getty Images: Eugene Richards, the celebrated documentary photographer, has left the Reportage agency. Richards used to be with Magnum Photos but left twice. He was also with VII Photo for a couple of years, and had joined Reportage in 2010.

Reportage by Getty Images: Eugene Richards

BJP: Eugene Richards leaves Reportage by Getty Images

On the subject of Getty Images, they announced a few things these past few weeks.

PetaPixel: Getty Images Changes Watermark from Annoying Logo to Useful Shortlink

PDN Pulse: Getty Images Preps for IPO?

An interesting development in the photographic and multimedia markets, Brian Storm has started charging for some of MediaStorm’s presentation. Rite of Passage by Maggie Steber and A Shadow Remains by Phillip Toledano are the first two pieces to test MediaStorm’s Pay Per Story scheme. Each story can be bought for $1.99.

 

MediaStorm: Why We Switched to a Pay Per Story Model

PDN Pulse: MediaStorm Now Charging to View its Stories

TIME Lightbox: Game Changer – MediaStorm Launches Pay-Per-Story Video Player

Duckrabbit: Maggie Steber responds to critics of MediaStorm’s new pay to view model

VII Photo has been weathering a controversy lately…

VII Photo: Statement

Ron Haviv: Response

Conscientious: Quality journalism, photography and integrity

David Campbell: Photo agencies and ethics: the individual and the collective

And when we’re on the subject of VII Photo, they have also added four young photographers to their mentor programme.

Now, let’s share some business and practical tips:

Justin Mott: Advice to Veteran Photographers

A Photo Editor: How does a photographer land an agent?

A Photo Editor: Pricing & Negotiation: Spokesperson Advertising Shoot

PhotoShelter: A Photographer’s Guide to a Successful Gallery Opening

PhotoShelter: What Buyers and Photo Editors Want

PhotoShelter: Personality Traits & Skills Photo Buyers Don’t Want in Photographers

Salon: How to stop the bleeding

Chris Hondros. Image © Nicole Tung

PetaPixel: US Department of Justice Defends Photographers’ Right to Record Police

Some thoughts about the industry, reviews and round-ups…

The New York Times: Just When You Got Digital Technology, Film is Back

TIME Lightbox: Three War Photographers: Feel Fear, Keep Going

NY Daily News: Iconic ‘napalm girl’ photo from Vietnam War turns 40

Peter Dench: The Dench Diary (December – February 2012)

Conscientious: Review of Unknown Quantities by Olivia Arthur, Dominic Nahr, Moises Saman, and Peter Van Agtmael

PhotoShelter: The Look3 Festival Round-Up

TIME Lightbox: Curators Look Ahead to Look3

PDN Pulse: Look3 – Alex Webb on his Creative Process, Kodachrome, and Magnum

PDN Pulse: Look 3 Report: Donna Ferrato on Philip Jones Griffiths, Don McCullin, and Complicated Relationships

Reuters Blog: The Secret Handshake

The Guardian: Burtynsky: Oil review

Image © Edward Burtynsky.

The Guardian: The Photographers’ Gallery Reopens

NYT Lens Blog: Caught Between the Protests and the Police

NYT Lens Blog: Half Photos, Striving to be More

NYT Lens Blog: A Gift to New York from Gordon Parks

The New Yorker Photo Booth: Great Mistakes: Olivia Arthur

The Guardian: Featured Photojournalist – Joe Raedle

Conscientious Extended: Photography and Place: Appalachia

One Image at a Time: Image #4, Comfort Women 1996

DVAPhoto: Worth a look: Revolution Revisited by Kim Komenich and University of Miami multimedia grad students

Press Association: Jacobs in administration

Verve Photo: Antonio Bolfo

The Guardian: Lawrence Schiller’s best photograph: Marilyn Monroe

TIME Lightbox: Photographs of the ‘Great British Public’ in London

Foam Blog: Ahmet Polat on Instagram

Reuters Blog: Tribute to Danilo Krstanovic

And to finish…

The Marie Colvin Memorial Fund.

Written by Olivier Laurent

June 17, 2012 at 5:38 pm

Articles | Saturday 19 May 2012

Olivier writing here. This is my first post for Photojournalism Links. I’ve been a long-time follower of Mikko’s work, which has, over the years, proved to be an amazing resources for photojournalists and photo editors. It’s my pleasure to help Mikko update and develop the site further, and we’re already planning new things for the site. Stay tuned.

Let’s get started.

First things first, if you happen to be in London this coming week, head for the Frontline Club, which is holding a series of photography events, including VII Photo’s seminar (Hint: if you’re looking to buy the agency’s latest book Questions Without Answers, you’ll get the opportunity to get it signed by a lot of the their photographers!) Reportage by Getty Images will also be there with a couple of events, including a discussion with Peter Dench, Tom Stoddart and Aidan Sullivan. Finally, on 24 May, there’s the Panos Pictures Networking Party.

Washington Post: Vogue’s flattering article on Syria’s first lady is scrubbed from Web. The images used by Vogue were shot by James Nachtwey. A copy of the article is hosted by a website called President Assad here. In the Washington Post’s article, it’s mentioned that Assad’s children aren’t actually his but decoys planted for security reasons.

Examiner: The picture of dishonesty: social media slaps down a wedding photo faker.

Walk Your Camera: Perpetuating the Visual Myth of Appalachia – or how a photographer reacts to a very bad edit, done by CNN, of her work.

Martin Parr: Too Much Photography.

Photobooth at The New Yorker: Will Steacy’s Photographs Not Taken continues to make the rounds, this time with The New Yorker publishing Nina Berman’s story of Cathy, who she met in London in the 1990s.

Cover of “Photographs Not Taken”

PBS: Photojournalists Scramble to Video. Is it worth it? 

“Video storytelling is different in execution than still photography, without a doubt. But it has been well-established that very talented still photographers can make the transition back and forth between the media and enhance their visual reporting,” says Sean D. Elliot, president of the National Press Photographers Association.

A Photo Editor: Is it Time to Eliminate Stills From Your Shoot?

BJP: Lange-Taylor Prize Gets a Facelift, relaunches in 2013.

A lot of talk about Hipstamatic, Instagram, and all-things Lomography in recent weeks, especially since Facebook paid $1.2bn for Instagram, so here we go:

NYT Lens: Benjamin Lowy: Virtually Unfiltered. The article that brought back the whole Hipstamatic debate on the table.

Conscientious: On the Hipstamatic Journalist. Joerg Colberg wonders how The New York Times can publish Hipstamatic images without it violating its strict rules about photo manipulation.

NYT: Everyone’s Lives, in Instagram Pictures. Karen Rosenberg tries to answer the question: “Why do we want to tweak our pictures so conspicuously?”

NYT: Lomography, an Analog Company Surviving in a Digital World.

Time Lightbox: Lomography and the “Analogue Future”.

San Francisco Chronicle: Hipstamatic Founders Lucas Buick, Ryan Dorshorst. An interview with the founders of the controversial app, and their plans for the future, including the release of an iPad magazine with interviews of star photographers using Hipstamatic.

Slate: In Defense of Instagram: Why News Photography Goes Well With Vintage-Filtered Cat Pic. An older article (March 2012), but felt it was needed in this context.

PetaPixel: IKEA Cardboard Camera Called KNAPPA To Land on Store Shelves Soon. Even Ikea is going into the cheap digital camera market.

BJP: New app bring lossless “developed raw” images to the iPhone.

Even about Instagram and Hipstamatic. Last week, there was an auction to help the family of Anton Hammerl, who was killed in Libya a year ago.

BBC: War photographer Anton Hammerl remembered at auction. A video of the auction and interviews with family, friends and colleagues.

NYT Lens: At Christie’s, an Auction for Anton.

Time Lightbox: Robert Capa, Friend of Anton.

Talking about Robert Capa…

The Guardian: Robert Capa and Gerda Taro: love in a time of war.

In Spain, Capa soon developed a reputation for taking photographs whatever the risk, setting the tone for war reportage as we now know it. Taro, too, was often seen running across the battle lines with her camera, her bravery matched by her recklessness. She travelled back and forth to the frontlines, shooting what she saw, often driven by a mixture of humanity, political commitment and a shrewd understanding of the power of the photograph to shape public opinion.

Fred Stein Archive/Getty Images

Time Lightbox: Overseas Press Club Award Winners Announced. Including the Robert Capa Gold Medal Award, which went to André Liohn.

Channel 4 News: Death in a time of life. Jon Snow remembers Marie Colvin, who was killed in Syria earlier this year.

NYT Lens: Parting Glance: Horst Faas.

Photo by Horst Faas / AP Photo.

PDN: Horst Faas, AP Combat Photographer, Dies age 79.

Panos Pictures: Robin Hammond Released From Prison in Zimbabwe. After being held for two weeks in Zimbabwe, Robin Hammond has been released and is back in Paris, safe and sound. I’m looking forward to seeing the images he came back with after spending two years documenting this country.

NYT Lens: A Ride Cloaked in Secrecy. I love this kind of articles, giving us a behind-the-scenes look at the news, especially when it has a West Wing kind of vibe. Here, we get the background on how a photographer reported on President Obama’s secretive trip to Afghanistan.

The Guardian: What happens when a photojournalist travels to revisit his subjects?

NYT Lens: The Eddie Adams Workshop’s 25th Year.

NYT Lens: Touring the Nanny-Photographer’s Past. Yet another article about Vivian Maier.

Chicago Tribune: The Great John H. White.

Firecracker: Olivia Arthur. Chosen for her excellent Jeddah Diary, the photographer’s first book.

Photo by Olivia Arthur.

The Guardian: Richard Mosse’s best shot.

Photo by Richard Mosse / Institute.

The Guardian: Saatchi captures the confusion of contemporary photography.

“The title, Out of Focus, may have been meant ironically, but it takes on a more pointed meaning if you approach the show as a mirror of the fractured world of contemporary practice.”

Wall Street Journal: The Surreal Selling of Man Ray.

PhotoShelter: Photography Through the Eyes of Art Directors.

PhotoShelter: The 40+ Items Every Photography Assistants Needs Now.

A few articles about photographers’ rights and copyrights:

Time Lightbox: Fight for Your Right: Resources for Photographers Covering Protests (note: it’s mainly for US-based photographers).

Nancy L. Ford Blog: Why NOT to give away your copyrights.

BJP: More than $120,000,000 at stake in AFP v. Morel case.

The Russian Photos Blog: Agence France Presse vs Morel: “AFP Got Caught With A Hand In The Cookie Jar And Will Have To Pay” Out of 200 pages of legal documents filed by both Daniel Morel and Agence France-Presse / Getty Images, this sentence, written by an AFP employee is by far the one that caught the attention of the industry. I’ve used it in my standfirst as well, and A Photo Editor picked up as well.

BJP: Leica introduces a black-and-white digital M9 camera.

And to finish, a 100-minute documentary about Helmut Newton from Frames From The Edge. Of course, it’s best watched in full-screen.

And a 60-minute interview with Michele Hadlow, Forbes’ Senior Photo Editor on How to Shoot Powerful Portraits of Powerful People.

Finally, congratulations to photographers Karim Ben Khelifa and Finbarr O’Reilly. Both have been selected as International Nieman Fellows for the Class of 2013 at Harvard. Ben Khelifa will “conduct research on journalist-audience engagement, analyze the behavioral economics linked to crowdfunding and study new business models promoting the diversification of visual storytelling.” While O’Reilly will “study psychology to better understand how the human mind and behavior is affected by personal experience, with a focus on trauma and conflict zones.”

Written by Olivier Laurent

May 19, 2012 at 4:36 pm