Archive for the ‘tear sheets’ Category
Tearsheet of the Day | Saturday 19 May 2012
Mikko writing here. Was browsing through Saturday’s Telegraph Magazine at a coffee shop this afternoon. Found this Lorenzo Meloni photograph of militiamen patrolling streets in Benghazi, arresting. Opens ‘Tug of War’, an article by Peter Oborne and Richard Cookson on parts of Libya being at the mercy of rival militias.

Photo by Lorenzo Meloni/Contrasto/Eyevine
Caption in the magazine: Militiamen patrolling the streets of Benghazi, Libya’s second largest city. In March, tribal leaders unilaterally declared the formation of a new state in the oil-rich east of the country with its own parliament, police, and courts. Benghazi would be its capital.
Meloni’s (b.1983, Italy) website is empty, but you can see more of his work on Contrasto’s website here, including the photo from the above tear sheet.
Meloni’s name didn’t ring a bell, but having look at his work now, I do remember seeing The Streets of Yemen At Night feature that was posted on Lightbox last year.
Tearsheet of the Day | 8 May 2012
Picked up a New Yorker issue dated 7 May, 2012 from a London newsagents’ last night…First time in a while..Would obviously like to read The New Yorker on a regular basis, but there just isn’t enough time nor money to buy every magazine I want. Nevertheless, trying to keep at least some kind of tabs on the magazine by picking up a copy every now and then.
Anyway. There’s a point here. Really liked this portrait of boxer Claressa Shields by photographer Pari Dukovic. Very simple, and very nice. Claressa Shields is a young American boxer who’s fighting for a place at this summer’s London Olympics. Long piece about her in the magazine written by Ariel Levy.
Caption: Claressa Shields at Berston’s gym, in Flint, Michigan.
Pari Dukovic is a photographer whose work I don’t remember seeing before. Had to have a quick look at his website. He was part of PDN30 in 2011, so I obviously hadn’t done my home work well enough. There’s some documentary work in there, such as the series on Turkish oil wrestling, which you might want to check out (Paolo Pellegrin shot the same subject recently and should you want to compare…you can see Pellegrin’s here.). I enjoyed the most going through Dukovic’s tear sheets (New Yorker appears to be a regular client). Digging the gritty and grainy quality in some of his work, visible for example in portraits of Elizabeth Warren and Bernadette Peters (you can see those in the tear sheets) . Interestingly, the Shields portrait highlighted here doesn’t necessarily seem like his usual style at all.
NB. Please excuse the poor reproduction of the tear sheet. You can see in its proper glory on Dukovic’s website. I shot the tear sheet with my iPhone on a moving train… Where I’m writing this post…